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ART RETREAT IN GOZO, LED BY BRITISH ARTIST PETE CODLING.


4-10 SEPTEMBER, 2026 |
15 PARTICIPANTS.
EARLY BIRD PRICE OF €1,750 (UNTIL END OF MAY).

Join us for five days of art-making in a Maltese village during its biggest annual celebration. Make art in the mornings, explore the streets and festivities in the afternoons, and share meals with fellow participants in the evenings.

RETREAT TO ART

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ALE, ART & ALTARS

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SEPTEMBER 2026

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XAGHRA, GOZO

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RETREAT TO ART - ALE, ART & ALTARS - SEPTEMBER 2026 - XAGHRA, GOZO -

WHAT’S INCLUDED?

Accommodation
Six nights at Hotel Cornucopia in Xagħra, Gozo, on a bed and breakfast basis.

Airport Transfers
Return transfers between Malta International Airport and Gozo

Artist Led Studio Programme
Daily studio sessions led by Pete Codling, including structured prompts, shared discussion and opportunities for group reflection as work develops.

Lunches
Two communal lunches hosted at the Bored Peach Club. All other meals are at leisure, giving you the freedom to explore local dining.

Materials
All drawing and painting supplies for the sessions will be provided.

Welcome Pack
A welcome pack provided on arrival, offering practical information about the programme and village, alongside a small selection of thoughtful items chosen to support and mark the week together.

Organisation and Production
Full retreat coordination, including local logistics, scheduling and on-site support.

PRICING

EARLY BIRD SINGLE RATE | March to May 2026
€1,750 per person - Valid for bookings made

up to 31 May 2026

EARLY BIRD SHARED RATE | March to May 2026
€1,550 per person - Valid for bookings made

up to 31 May 2026

SINGLE RATE | From June 2026
€1,950 per person

SHARING RATE | From June 2026

€1,650 per person

DEPOSIT
€750 to confirm a place, remaining balance due one month before the retreat begins

View of historic buildings and a church dome in a sunny street, framed by ornate decorations hanging overhead.

THE FULL PROGRAMME

  • Morning / Afternoon

    Arrival in Gozo and transfer to Xagħra. Check in at the hotel and time to settle into the village at an unhurried pace.

    First impressions of stone streets, open countryside and the scale of the Basilica begin to frame the setting for the week.

    Evening

    The group gathers for the first time in Pjazza Vittorja, the social heart of Xagħra. As dusk falls, the illuminated dome of the Basilica rises above the square and festa preparations are already visible in colour and light.

    A welcome drink at Rubble Bar brings participants together in an informal setting. Introductions are made and the structure of the week is outlined. The atmosphere of the village begins to register in real time as sound and movement continue in the background.

    The retreat begins with presence and observation, settling into the rhythm of the piazza and the shared experience ahead.

  • Morning

    Breakfast at the hotel.

    The morning session takes place at the Bored Peach Club. Pete introduces key elements of festa’s visual language, including colour systems, repetition, scale and the spatial drama of public devotion. The focus is on careful observation and contemporary reinterpretation. Participants begin testing ideas in response to what they are seeing around them, allowing the studio to become a space of translation rather than imitation.

    Lunch

    Lunch is shared at the Bored Peach Club, allowing the conversation to continue informally.

    Afternoon

    In the afternoon, the group visits one of the festa warehouses where preparation is underway. Inside, structures are assembled, fabric is measured and cut, ornament is layered and adjusted. Volunteers move between tasks with focus and familiarity.

    Participants observe the process up close. Timber frames, gilded details and suspended figures exist in various stages of completion. The scale becomes apparent only from within the working space itself.

    The visit offers a direct understanding of the collective labour and craftsmanship that shape the week’s transformation.

    Evening

    Dinner is at leisure.

    As evening settles, participants may gather again in Victory Square. Rehearsals continue, lights remain partially assembled and anticipation builds gradually. The village atmosphere becomes part of the ongoing research for the work.

  • Morning

    Breakfast at the hotel.

    The studio session continues at the Bored Peach Club. Attention turns toward altar structures, band iconography and the shifting language between devotion and display. Participants deepen their work through drawing, composition and material exploration, considering how symbolism changes when moved from sacred space into public spectacle.

    The morning allows ideas from the previous days to settle and expand.

    Afternoon

    The group travels to Victoria, also known as Rabat, the capital of Gozo. Within the Cittadella, layers of history are visible in limestone walls, cathedral interiors and elevated viewpoints that stretch across the island’s terrain.

    Walking through narrow streets and open bastions offers a change of scale. Ornament gives way to stone mass and horizon. The landscape beyond the city becomes visible in full breadth.

    The visit provides spatial contrast and historical depth, widening the visual field before returning to Xagħra in the late afternoon.

    Evening

    Dinner is at leisure.

    An informal gathering in Victory Square remains open to those who wish to continue conversation or observe the village as preparations intensify.

  • Morning

    Breakfast at the hotel.

    The day begins with a visit to the Ġgantija Temples, among the oldest free-standing stone structures in the world. Massive limestone blocks form chambers and thresholds shaped by ritual thousands of years ago.

    The visit offers a pause within the week. Attention shifts from ornament and movement to weight, structure and continuity. Questions of devotion, monumentality and human mark-making take on a longer horizon.

    Lunch

    Lunch is shared at the Bored Peach Club.

    Afternoon

    The afternoon returns to the studio for an open working session. Participants develop their individual responses to the week’s encounters, whether through drawing, mixed media or expanded formats influenced by rhythm, repetition and scale.

    Pete remains present in the studio, offering individual guidance and facilitating group reflection as ideas consolidate and shift.

    The focus is on allowing the work to mature rather than conclude.

    Evening

    Dinner is at leisure.

    An optional evening walk through the village offers a chance to witness the continued build-up. Decorations are more fully assembled, rehearsals more confident, structures more complete. The atmosphere gathers density as the days narrow toward celebration.

  • Morning

    Breakfast at the hotel.

    The morning unfolds in the square as final preparations take shape. Volunteers raise structures, secure banners and adjust details. Band rehearsals grow more assured, and the spatial rhythm of the village shifts from preparation toward performance.

    Participants observe this transformation from within the movement of the square itself. Scale, colour and coordination become fully visible as the built environment reaches its completed form.

    Lunch

    Lunch is at leisure.

    Afternoon

    The group returns to the Bored Peach Club for a closing session of reflection and informal sharing. Participants discuss the evolution of their work across the week and consider how observation, context and exchange have shaped their responses.

    Pete facilitates a conversation around process, attention and the relationship between art and public life, drawing threads between the studio and the village.

    The session offers consolidation rather than conclusion.

    Evening

    The opening night of Festa Marija Bambina begins. Fireworks mark the sky, music fills the square and the collective presence of the village gathers at full scale.

    Participants experience the celebration from within the crowd, witnessing the transformation they have observed all week now realised in public form.

  • Morning

    Breakfast at the hotel and check out.

    Transfers to the ferry or onward travel.

    Departure from Xagħra comes after a week shaped by studio practice, shared conversation and immersion in village life. The atmosphere of the past days lingers in memory, in sketches, in notes and in the evolving direction of the work.

    The retreat closes quietly, with space for what has unfolded to continue beyond the island.

An artist with a beard and glasses, wearing a blue jacket, sitting on scaffolding in front of a large detailed black and white mural featuring faces, animals, and historical figures. Various art tools are on a wooden table nearby.

MEET YOUR LEAD ARTIST, PETE CODLING

Pete Codling is a British multidisciplinary artist working across drawing, installation and site-responsive practice. His work explores repetition, scale, material tension and the dynamics of public space, often examining how collective experience shapes
visual form.

Pete was an Artist in Residence at the Bored Peach Club in Gozo, where he developed work in close response to the island’s architecture, ornament and ritual atmosphere. That residency forms the foundation of his involvement in Retreat to Art.

For the 2026 edition, Pete leads the studio programme while working alongside participants throughout the week. He introduces prompts, shares his working process and remains actively engaged in the studio as ideas develop. His approach encourages experimentation, attentiveness and responsiveness to place.

A RETREAT DURING FESTA WEEK

Xagħra, Gozo gradually shifts in the days leading up to the festa of Marija Bambina. In Malta, festa week is a village-wide celebration dedicated to a patron saint, where religious rituals unfold alongside days of preparation, decoration, music, and fireworks.

The streets fill with colour and light. Workshop garages come alive as fireworks are assembled and decorations prepared. Band clubs animate the evenings, and the atmosphere builds through repetition, labour, and shared energy.

Retreat to Art unfolds within this momentum. Participants witness the preparation as much as the celebration itself. The visual language of the festa, its ornament, scale, and rhythm, enters the studio not as spectacle but as lived context.

This is a week in which work develops alongside dedication, craft, and public life.

Decorative banners hanging above a street with historic buildings, one of which has a domed tower with a cross on top, under a partly cloudy sky.
Decorative flags and banners with religious and heraldic symbols, including cherubs and a painting of a saint, displayed outdoors against a clear blue sky with street lamps and string lights.
Bald man taking a photograph with a camera in a crowded outdoor setting with tents and decorative buildings in the background.
Crowd of people celebrating a festival or event in a city square with religious banners and statues of saints, ornate decorations, and buildings in the background.
People sitting at outdoor tables on a street, with a festive parade in the background, including colorful floats and costumes, under a bright blue sky.

A RETREAT IN
XAGHRA, GOZO.

Xagħra is one of Gozo’s most historically layered villages. It is home to the Ġgantija Temples, a UNESCO World Heritage Site dating back to around 3600 BC, and to the Basilica of the Nativity of the Virgin Mary, whose dome dominates the skyline. These structures anchor the village within a continuum of ritual, architecture and collective memory.

The surrounding landscape extends toward Ramla Bay’s red sand shoreline, while beneath the surface, sites such as Xerri’s Grotto reveal the island’s limestone geology. Stone, scale and time are visible here in multiple registers.

At the centre of village life is Pjazza Vittorja, the social and ceremonial heart of Xagħra. Cafés, bars and gathering spaces frame the square, and during festa week it becomes a focal point of movement, rehearsal and anticipation.

Retreat to Art takes place within this environment. Studio work unfolds alongside a village shaped by history, landscape and public ritual, allowing context to remain present rather than distant.

YOUR STAY AT CORNUCOPIA HOTEL

Set above a quiet valley on the edge of Xagħra, the Cornucopia offers a calm vantage point overlooking rolling countryside toward Marsalforn Bay. The setting allows for slow mornings and space to reset between studio sessions and time in the village.

The hotel features outdoor pools, shaded terraces and comfortable communal areas, offering space to unwind, read, sketch or simply pause between working sessions. The atmosphere remains relaxed and unhurried.

The village square is a short walk away, placing cafés, restaurants and everyday village life within easy reach. Ġgantija and surrounding countryside are also close by, grounding the stay within Gozo’s landscape and history.

The hotel provides privacy and restoration while remaining fully connected to the rhythm of the retreat.

BPC Reviews

 

It's a great location, beautiful building and context. Organisation was smooth with a complete freedom to create. Loved it all!

— Anna Horvath, HU.

Expanding. Kind. Exciting. Ambitious.

— Thomas Buckley, UK.

FAQs

  • To register, , please complete the form on the booking page. Once we receive your submission, a member of our team will contact you to arrange the deposit payment. You can also schedule a call with our team to ask any questions you might have.

  • An early booking rate of €1,750 is available for reservations made on or before 31 May 2026. From 1 June 2026, the standard fee of €1,950 applies.

  • Retreat to Art is open to anyone. Participants may be established artists, early in their creative journey, or returning to art after time away. All are welcome.

    The programme supports different levels of experience and a wide range of mediums. What matters is curiosity, attentiveness and a willingness to take part in a shared studio environment.

    The group remains intentionally small to allow space for focus, conversation and exchange across varied backgrounds and approaches.

  • The group is intentionally limited to approximately 15 participants. This scale supports concentration within the studio while maintaining space for conversation and shared reflection.

    The size allows each participant to work with independence while remaining part of a connected and active environment.

  • Participants stay at the Cornucopia Hotel in Xagħra, Gozo. Set above a quiet valley overlooking Marsalforn Bay, the hotel is within walking distance of the village square and the Ġgantija Temples.

    Its location allows easy movement between studio, village life and open landscape, keeping the retreat fully embedded in its surroundings.

  • The fee includes six nights of accommodation at the Cornucopia Hotel, daily studio sessions at the Bored Peach Club, all programmed activities and site visits outlined in the itinerary, selected communal meals, airport transfers between Malta and Gozo, and core studio materials provided for the week.

  • Flights to Malta, personal travel insurance, meals outside those specified in the programme, and any personal expenses are not included.

    Participants are responsible for arranging their own travel to Malta and ensuring appropriate insurance cover.

  • The remaining balance is due one month before the experience.

  • Shared rooms may be available on request, subject to participant numbers and suitable pairing arrangements.

  • Participants arrive at Malta International Airport. From there, travel continues by ferry to Gozo.

    Airport transfers and onward transport to Xagħra will be arranged in advance as part of the retreat logistics. Details will be shared prior to arrival to ensure a smooth journey.

  • No. Xagħra is easily walkable, and many parts of Gozo can be reached by public transport or taxi.

    Car rental is optional and may offer greater flexibility for those who wish to explore the island independently outside of the retreat programme.

THE LOCATION